Publication: Royal, Bert V. Dog Sees God: Confessions of a Teenage Blockhead. Dramatists Play Service, Drama Library PS Review: Dog Sees God: Confessions of a Teenage Blockhead Bert V. Royal’s Dog Sees God, the Peanuts play, is a wonderful coming of age high This is elucidated very well in the script, as the dual characterization of the. Dog Sees God: Confessions of a Teenage Blockhead plot summary, character breakdowns, context and analysis, and performance video clips.

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Kristin Guerin as Marcy had consistent characterization that couched effective nuance at choice moments; her performance felt very teen, and as the incidents of the play affected her, she grew as a teen, took on the remorse as a teen. Dog Sees God is advertised as a parodyand includes language indicating that the production has not been authorized or approved by United Features Syndicate or the estate of Charles M. This article needs additional citations for verification. The wonder years of teendom are possibly the most potent of our lives, as we feel deeper, think different, see ourselves and others in new lights.

CB makes a truce with Beethoven to reestablish their friendship.

The show was a sell out and quickly transferred to the larger venue The Lowry in January This page was last edited on 25 Septemberat At the end of the scene, CB kisses Beethoven. Back to Search Results. Confessions q a Teenage Blockhead — Bert V. Unfortunately, the funeral ends in failure as they argue over who should say a prayer for him.


He was a good dog.

I will be an extraordinary creature. The production was extended for two weeks and Daniel Franzese assumed the role of Van.

Dog Sees God: Confessions of a Teenage Blockhead

There’s No Time for Love Gain full access to show guides, character breakdowns, auditions, monologues and more! And time I have.

It’s a mistake to consider Dog Sees God a satire of Peanuts. In the letter he tells him that he must keep strong, even in rough times. She’s a Good Skate See more from this author. What the hell is that supposed to mean? I know of these things. Snoopy’s Reunion It’s Spring Training You forgot your blocihead

Dog Sees God: Confessions of a Teenage Blockhead (Play) Plot & Characters | StageAgent

This angers Matt, who slams the piano top, breaking Beethoven’s hands. Views Read Edit View history. Webarchive template wayback links Articles needing additional references from November All articles needing additional references. West ; the general manager was Roy Gabay ; the production stage manager was Lori Ann Zepp ; the assistant stage manager was Tammy Scozzafava ; and the production manager was Randall Etheredge.

She also helped carry the comedy of the work; in fact, the whole ensemble had a lot of heart and silliness through the production. Peanuts by Charles M. Life Is a Circus I had just gotten an abortion the day before and the next day in Biology, we were ironically learning about reproduction. Languages Italiano Edit links. The two are clearly drunk and debate about the “Spork”. Oregon Ballet Theatre is seeking professional classical dancers to fill positions at all levels It is also said that Beethoven realizes Matt’s “secret” which may be an implication that Matt is a closeted homosexual.


Confessions of a Teenage Blockhead. However, the use of these famous characters is what gives the show its emotional punch: The production realized this moment beautifully with a fine framing of CB upstage. From Wikipedia, the free encyclopedia.

Royalthe play was directed by the Trip Cullman ; the set design was by David Korins ; blockheae costume design was by Jenny Mannis ; the lighting design was by Brian MacDevitt ; the sound design was by Darron L. CB goes to see Beethoven and the two argue over whether or not they should be in a relationship.

Also, teenagers, occupied with a lifetime full of grief and misunderstanding, often behave as stereotypes despite bleeding colorful internal lives and bouncy new ideas. Confessions of a Teenage Blockhead Play Writer:. The show cleverly disguises the identity of each character, so that the issues of the play draw more focus than attempting to guess “who’s who”. By using this site, you agree to the Terms of Use and Privacy Policy.

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